Produced by Bristol sound co-founder the musician-producer, this sharp-edged though undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own parents. In no time, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The central theme – that the rave-era youth were mainly focused on themselves – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, enraged after David kills his dog. Nevertheless, a darkly funny standoff unfolds – David eager to get away; the Woodsman withholding his jerrycan of cider, determined to soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
There is only one important plot development, but it results in a hilariously staged rampage on the forest trails that veers toward rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of insects in the light in the early stages, he now goes all out with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
Game is in UK and Irish cinemas from 17 November.
